Nikon’s Low Light Holy Trinity? | 35mm, 50mm, 85mm f1.2 S Z

An f1.2 prime trilogy makes sense for pros covering events or weddings. That’s not me?  As an enthusiast, I choose gear I can afford to carry, so what would it take for me to lug around these huge primes?  I took the Nikkor 35mm, 50mm, 85mm f1.2 S Z lenses out at night, to see how they change my work in low-light?As an enthusiast creating just for fun, which of these would I pick if I can only have one?